Samstag, 6. Januar 2007

Neue Ausgabe des Film Philosophy Journals 6/2006

Volume 10, 2006, Issue No. 3 (Dezember 2006)

Martin Barker, Envisaging ‘Visualisation’: Some challenges from the international Lord of the Rings audience project (pdf 1-25)

Robert Sinnerbrink, A Heideggerian Cinema?: On Terence Malick’s The Thin Red Line (pdf 26-37)

Marty Fairbairn, Intrusion of the Real: an interview with Sophie Fiennes, Director, The Pervert’s Guide to Cinema (pdf 38-49)

Martha P. Nochimson, Like a Ribbon of Dreams: New York Film Festival 2006 Report (Part One) (pdf 50-61)

Martha P. Nochimson, Based on a True Story: New York Film Festival 2006 Report (Part Two) (pdf 62-73)

Peter Catapano, Sin Cities on Edward Dimendberg Film Noir and the Spaces of Modernity (pdf 74-79)
Dara Patricia Downey, Just Look At Me Now: Problems of Viewing in Film Noir on Edward Dimendberg Film Noir and the Spaces of Modernity (pdf 80-94)

Francis Guerin, Review of Richard W.McCormick and Alison Guenther-Pal (eds.) German Essays on Film (pdf 95-100)

Joanne Goss, Review of Matt Hills The Pleasures of Horror (pdf 101-103)

James Kendrick, The Many Shades of Red on Steven Jay Schneider New Hollywood Violence (pdf 104-108)

Alex Bussey, Does Exactly What It Says On The Tin on Christopher Grau (ed.) Philosophers Explore the Matrix (pdf 109-113)

John S. Vassar, From Socrates to Seinfeld: What’s the Deal with Nothing? on William Irwin (ed.) Seinfeld and Philosophy: A Book About Everything and Nothing (pdf 114-121)

Ben Little, Impractical Pragmatics in Richard A. Gilmore Doing Philosophy at the Movies (pdf 122-128)

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